In 2019, I participated in an exhbition in the city hall of Delft that celebrated the work of painter Pieter de Hooch. In the exhibition we used De Hooch's work as a basis for new work made in Processing.
Landscape took a painting from De Hooch and remastered it into a digital landscape, where instead of colours, now mountains are formed from the strokes of Pieter De Hooch.
This work took a painting by De Hooch and introduced a digital organim to it. The aim was to show how the organism might interpret and supplant a human work. Resultnig in something recognisable but alien at the same time. Something increasingly relevant with the rise of AI.
In this project, I made extensive use of Processing. Processing allowed me to manipulate graphics, handle user input, and generate complex patterns and thus create intricate and dynamic visual artworks. This experience not only enhanced my coding skills but also deepened my understanding of computational art and design.